Hills_and_LakeWe’ve been fretting about the state of the world. The other evening we put those worries aside and kayaked on the lake. We were at Sand Bar State Park, a lovely sandy beach with hills running into the lake on the north and south. Those hills used to be mountains, perhaps taller than the Himalayas are now.

The hills are rocky and tree covered. Twelve thousand years ago or so they were barren, having been scraped clean by Ice Age glaciers. Traditional people would have followed the retreating glaciers, so probably arrived in what’s now Vermont about then. By the time Europeans arrived, the dense forests of New England would have appeared to have been here forever. Continue reading

Shifting Perspective


Carol, Thank you for sharing this post! I, too, hope the reviewers are touched, and the rest of us get to see the play on stage soon.

Originally posted on Voices from the Margins:

Carol A. Hand

In the past, waiting for a response from others was always the hardest part of completing any initiative for me. When I created something to share with others, it was often an experiment to try something new. I wondered if and how others would respond. I remember sharing this with my graduate advisor when I handed in exam papers. “I always wonder if what I write or say will make sense to others. Is it brilliant, confusing, or merely mediocre?” His response was slow. “Your work is so – it’s so – interdisciplinary.” That didn’t really address my anxiety.

When I submitted my first ever play for review a few days ago, the same questions surfaced. And then I realized that my reason for writing and submitting this work, and other works before it, was not really about others’ reactions. Sharing stories, ideas, and…

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Among the Rock People

Schoodic! This morning the sea is flat and  calm, its vibrant blue reflecting the clear, sun filled sky above. A small seal, who has visited daily, plays a short distance offshore.

Yesterday we visited Schoodic, one of our favorite parts of Acadia National Park. The peninsula is a ways north of Mt. Desert Island, a considerable drive up the coast if one is staying in Bar Harbor. It is usually uncrowded and the rocky shore is always majestic. Often, thick fog rolls in from the sea, creating dangerous conditions for boats and people alike; foggy days there are their own magic. Continue reading

IPTN: Deep Conversations

Dalit_DrumI have been writing about the conference from the position of one who, although having performed Playback for many years, has attended only two Playback conferences, this being the first truly international one. In contrast, many of those who attended had attended several conferences, and friendships among them may go back scores of years. In writing about the conference I have attempted to listen, and to give voice to a range of beliefs and attitudes. Still, the writing is based squarely in my own experience and thought, and reflects my experience.

There are many forces at play in any international gathering, especially when social change is on the agenda, and this conference was no exception. On the last day of the conference, as so often happens, some of the deep conversations that had alluded us as a group began to take place. Continue reading

IPTN: Our Workshop

Theatre X: PlaybackOur workshop provided an opportunity for directors, and individual performers, to think with us about disability, inclusion, and aesthetics. The time allotted to the workshop passed much too quickly as we engaged in a deep conversation about these difficult topics.

One  of the most challenging aspects of any conversation about theater and disability is making the distinction between theater for, theater by, theater to, and theater with. Still other categories have been suggested, perhaps in an effort to thicken our understanding of this thorny topic.

These distinctions have evolved to address the difference between theater practices that nominally include persons with disabilities, those provide programing to persons labeled as disabled, and those that seek to be truly inclusive. The latter may originate in group or individual work by disabled persons, or by ensembles of “mixed abilities,” in which the presence of disability is acknowledged, but normalized, resulting in an aesthetic that explores the differently abled body-mind as a vehicle for storytelling in myriad ways. Continue reading

IPTN: Conundrums and Burning Issues

DSC00701Montreal was hazy, a thin layer of smoke hung over the city. Tens of thousands of aces of forest were ablaze in northern  Canada, and the smoke from those fires rode the westerlies to Montreal. Some days were worse than others, resulting in hacking coughs and burning eyes.

At the conference, this haze was a thread running through the fabric of our days. The unofficial theme of the second day was life at the intersection of identity and social justice; many stories were shared, narratives echoing older, sometimes archetypical  stories, yet vibrantly alive in the present. We were reminded that we embody ancient human concerns, desires, and aspirations, that we are, somehow, walking in the footsteps of the Holy Ones. Continue reading

IPTN: Making Room at the Table

Playback_MomentLast week we were at the International Playback Theatre Network (IPTN) conference in Montreal, where along with marvelous summer festivals, the city was discussing the Oka crisis of twenty-five years ago. In a very familiar conversation, Federal and provincial governments were heralding the great improvement in their relations with First Nations people, while many Indigenous communities maintain not much has changed.

At the conference, there was a general absence of Aboriginal voices. The conference organizers attempted to enlist local First Nations people in opening the conference but were unable to do so till the last moment. In the end, the young Innu woman who invoked the spirits and blessed the conference participants was magnificent. Continue reading